Dialogue is the bread and butter of the play. As a writing coach with Gilliam Writers Group, I’m one of several writing coaches with a background in dramatic writing. So if you need some tips on dialogue for your own novel or short story, here are a few from the theater world, where no one stops talking.

Whether you’re writing an essay for school, revising a chapter in your novel, or composing a sensitive email to coworkers, translating the words in your head into writing can be a frustrating process. A literary translator knows this feeling well, and moreover, accepts it as a natural part of the work of writing. With advanced degrees in diverse topics, including translation, writing coaches at Gilliam Writers Group can offer unique and surprising insight into what makes great writing.

A writing coach can help new authors by advising them on how to pitch a story idea to a magazine. At Gilliam Writers Group, our writing coaches have written for top publications and can offer expert advice on any potential pitch. When approaching a magazine, a subtle shift in mindset can help.

The most basic work of a writing coach is helping their client find their novel’s shape. Although narrative, or plot, has taken many different shapes, one in particular recurs again and again. This is the triangle, the pyramid, the arc: the three-act structure.

My first piece of advice: You, the writer, decide who is telling the story, and how much information they, as the storyteller, are supposed to know and expose.

At some point during our first consultation call, every prospective coaching client asks me the same question. It goes something like: “What is it like to work with a personal writing coach?” or “Can you explain more about your methods?” or “How does a writing coach help you write?” Understandably, most writers, or aspiring writers, who contact me want to know exactly what a coach can do for them.